《文明養(yǎng)狗人人有責(zé)》劇情簡(jiǎn)介
文明養(yǎng)狗人人有責(zé)是由執(zhí)導(dǎo),主演的一部短劇。主要講述了:
同類(lèi)短劇
《文明養(yǎng)狗人人有責(zé)》相關(guān)評(píng)論
荼陂村人
Trapping a group of characters in a contemporary art installation and slapping thematic tags as trapped existence, perverse sexuality, and life and creation, etc. thereon do not make good cinema. This film is more of a proof that a female director could be no less sadistic in (physically) exploiting her actors, and also that in some respect Japanese sci-fi hentai is far more avant-garde than self-important arthouse films.
也是酒
第一集時(shí),由于不清楚時(shí)間線,一度以為張東升就是長(zhǎng)大后的朱朝陽(yáng)。但相信所有看過(guò)這片的人,都會(huì)得出一個(gè)朱朝陽(yáng)長(zhǎng)大后就變成張東升的結(jié)論。這是不是伏筆的伏筆,大演員小演員老演員都用自己的精彩表演圓了人物性格。朱朝陽(yáng)的黑化是必然的,看看這些父母教育子女的方式吧,這難道不是比陰暗壓抑虐戀的劇情更可怕的事情嗎?這就是現(xiàn)實(shí),這就是中國(guó)的現(xiàn)狀。別忘了有一首歌唱到的:你會(huì)被教育成一個(gè)壞人,吃喝拉撒見(jiàn)死不救的動(dòng)物。而野蠻生長(zhǎng)的壞小孩嚴(yán)良,卻恪守住人性底線,立志要成為一名警察,這是多么令人諷刺的事情啊。最后,我個(gè)人是無(wú)法再聽(tīng)那首小白船了,那旋律真他媽的讓人毛骨悚然!


